It’s
a winter day, and the sky is blue and cloudless. It’s cold, but the sun is
shining, and I am glad my parking spot is several blocks away. It’s good to
walk in the early morning quiet, only a few others out and about on this bright
and beautiful day.
The
class before ours is crowded, and the room gets heated, so those leaving pry open
the windows in their wake. I keep my long sleeves on while setting up, chatting
with some of the others and trying to warm up my mat, still cold from the night
it spent in the car.
This
class is Rocket
yoga. It’s challenging and strenuous and one of my favorites. It’s an
interesting mix of people, and an interesting mix of flows and inversions and
arm balances. I am pushed to my limits each time.
The
instructor closes the windows against the sunny, chilled air and starts the music.
The demanding sequence is set against a soundtrack that I would call easy
listening. It’s definitely Sunday morning music, even if the workout is
anything but.
Come to the top of your mats, she says, and
all the lounging yogis slowly stand at attention.
It
starts.
We
reach up and there follows the flow of several Sun As, after which we flow into
several Sun Bs.
My
eyes follow my arms as they lift to the ceiling, then look down for the fold to
the floor. We continue through our Vinyasas, from Chatarunga (low push up) to
Urdhva Mukha (upward facing dog) to Adho Mukha (downward facing dog).
The
instructor calls out the Sanskrit words, and her voice becomes as easy
listening as the music. Our shadows flow across the floor as we flow through
the Sun postures.
I
realize that the shadow I think is mine is really my neighbor’s to the right,
and that mine is really on the mat of the neighbor to my left.
The
sun from the window behind me has moved us over one spot each! It shines on my
back and my neighbor’s, too, making a great big sun spot that stretches out
across the floor, window panes and all.
We
move into the part of the practice with the twists, rinsing to one side and
then to the other. The music has made its way into my head, and I have to
concentrate on breathing and not singing as I place one hand to the mat and the
other to the ceiling before binding and twisting to the side.
With
each twist to the right, I face the window that’s behind me and my neighbor. We
look back over our shoulders as our hips face forward and our torsos turn back.
Each
time I do this, I close my eyes in the face of the sun. Its heat matches the
heat I’m building on the inside, and I let it wash over me.
My
mind immediately moves to our wonderful chocolate lab, Chelsea. She was a
special dog, a true member of the family. Sweet, beautiful, kind and gentle, I
would swear she understood full sentences.
We
chose her from a large litter but it was really as if she had chosen us. She
came right over and lay across the top of our shoes.
I
carried her home and, each night after work, when I made a salad at the sink,
Chelsea would lay on top of my feet.
When
she was older, she graduated from our feet to the sun spots. I could tell the
time of day by where she lay as she made her way around the house with the sun.
The
day began in the foyer’s morning sun spot and progressed to the landing on the
stairs to what we then dubbed The Chelsea
Carpet, for all the time she spent sunbathing there.
Our
dog is no longer with us, but she often comes to mind as she did this day when
I was lucky enough to have the Sunday morning sun at yoga.
We
enter the final portion of the practice, and I do my best to land in
Hanumanasana, the splits. I never quite got these in my teens nor ever imagined
I’d be trying
again now.
We
face the back wall, and I grab two blocks and place them on either side,
lowering myself to the mat. I put my face up to the sun and close my eyes,
listening to the music, willing my body down between the blocks.
I
turn to my neighboring yogi and there she is, no blocks, in full splits, seated
comfortably on her mat. Her arms are lifted above her head with her palms
pressed together, and her heart is lifted, too, as she bends back and puts her
face to the sun.
I
lean over, interrupting her pose.
We are taking your picture after class, I said. There, like that, in that spot.
Afterward,
we do just that.
It
is a beautiful picture, and she looks beautiful in it. She is excited to see
her pose captured in the photograph.
But
to me, it captures even more.
It
captures the sun spot.
It
washes over her, and she looks the way I felt – special -- when soaked in the Sunday
morning sun at yoga.
Beautiful post Anne. I could never do any kind of split, even as a child. I'm closer to doing Hanumasana now than I was as a not-so-limber 5-year-old ballerina. I can only imagine how beautiful that photo would have looked :)
ReplyDeleteI am sure, regardless, that the photo would have been beautiful, Hui! Thanks for commenting. Sometimes, I think about getting some blocks for home and giving it a go while watching tv. And, someone else told me they do the best splits in the bathtub! Somehow and some place, I hope to get there, too!
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