From the time I was little, I was taught to stand up
straight and sit up straight.
Even in my little girl ballet classes, when we folded forward,
we had to hold the fold so straight that even the teacher’s lipstick case would
not roll off our backs.
Summers would find me at camp, seated with my bunkmates
on benches instead of on chairs at each meal. I remember part way through one summer,
the counselor looking at all of us hunched there and exclaiming, You all started out sitting up so straight,
and now look at you! We rose to better attention and, for the rest of the
summer, made a conscious effort to sit up straight.
And, yes, a la Marcia and Jan Brady, I even spent several
months with my sister going to what was called Charm School, where we walked around balancing a book on our heads.
Today, there are studies about the positive effects of a
positive posture. Posture can be what it takes to fake it ‘til you make it on
any given day because how we carry ourselves is how we care for ourselves.
After all, what’s being lifted when we
hold ourselves up is our hearts, so there’s really no better reason to not be slouching
around.
So now, with ballet and camp and charm school in the
past, I turn to yoga to straighten up.
At yoga, there’s lots of talk about the heart and, before
we even start, we are called to the top of our mats and told to stand up
straight. We pull in our bellies and push down our shoulders. We reach up, lift
up, and look up.
And it’s no matter how hunched over I might have been before
or for how long because the practice gives me the chance to stand up straight
again and again, and that only feels good.
It’s taken me a long time to fall in love with any of the
heart opening
poses, where we lift or puff out our chests. But, now, I even like leaning
back, so my heart flows up and over and almost overboard.
I’ve taken some classes where this intuitive link between
movement and the heart is emphasized. For me, these classes seem to help close
the gap between the young girl who knew to always sit up straight and the older
one who, at times, can forget to walk tall.
In these classes, it’s slow going and hard working. We
reach and stretch and pull ourselves into postures, and we are reminded to have
our hearts like Sphinx, the pose where, even low to the ground, the shoulders
are back and the chest is lifted.
Round and
round we go, following our hearts to the front of the mat and then to the
back, stopping each time to open and lift to one side or the other.
And more recently, we’ve done something called Toppling
Tree, where we go through a series of balances on one foot only to wind up with
the other high in the air behind us, our bodies in a nose dive with our chests lifted
and leading the way to the mat.
And, surprisingly, it’s there in that
nose dive that all my caution disappears. I come to stillness while soaring
towards the mat as my arms and shoulders pull back and my chest presses forward
in this one big tilt led by the heart.
By the time we get to the part where we put our hands on
our hips and turn out our toes to lean back, I find I can lift my heart high
enough and lean back far enough to get a full on look at the wall behind me.
And, I wonder if I’m overboard enough to put my hands down for Wheel, or if my
heart is just telling me I can.
And when it’s time for the ending backbends, mine come
easily and without any usual stiffness.
If movement and the
heart are linked, then I guess I can liken caring for my heart the way I would walking
with a cupful of coffee and no cover. I’d have to tread lightly so as not to
spill.
And that’s a pretty daunting analogy, because I’ve always
been a big spiller.
Regardless, in this class, it’s like I’m filled to the
brim but able to move without a lid. I think that’s how I wound up so happy in
the nose dive.
At the end of class, we are asked to sit up straight with
our hands at our hearts. And without further ado or the usual closing, the
instructor says only: You all will have
sweet dreams tonight.
And this simple announcement actually comes true. That
night, I close my eyes to a dream where I’m practicing the same circular
motions in the same roundabout flow, my heart lifted by the movements for
another chance to stand up straight again and again, even in my sleep.
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